|
|
"All this little affair with 'being' is over:" Metaphysical Crisis in Virginia Woolf's The Waves
Opravil, Vít ; Procházka, Martin (advisor) ; Vichnar, David (referee)
Thesis Abstract The present thesis sets out to follow three different problems in the metaphysics of Virginia Woolf's late novel The Waves and contrast them with the theories of three thinkers - Gilles Deleuze, Félix Guattari and Jacques Derrida. First chapter discusses Woolf's approach to subjectivity. It is shown that Deleuze's and Guattari's method establishing subjectivity as a by- product of a machinic assemblage is particularly fruitful in reading the characters in the first four chapters where their bodies and their "subjectivities" form in diverse ways. D&G comment on the waves of the lyrical passages as an abstract machine of which the character-assemblages are actualizations. They do not, however, comment on the territorialising function of sunlight which seems to be equally important and therefore needs to be analysed. This function corresponds with the ever growing oedipalisation of the characters, which finds its summit in the fifth chapter of the novel and transforms a deterritorialised rhizome into a reterritorialized (or oedipalised) signifying system. The second chapter discusses how the functioning of the territorial machine of the sun reduces the rhizome into a centralised system whose centre can be understood through the prism of Derrida's theory of structure as a play of...
|
|
|
Otherness and Identity
Žáčková, Kristýna ; Kouba, Petr (advisor) ; Soukup, Martin (referee)
The thesis Otherness and Identity deals with the discourse of Gilles Deleuze (Différence et répétition, 1968) and Deleuze in cooperation with Félix Guattari (Capitalisme et schizophrénie: L'Anti-Oedipe, 1972, Mille plateaux, 1980, Qu'est-ce que la philosophie?, 1991). On the basis of their discourse the process of individuation is constructed, and is at first situated into deleuzean space-time. The process of individuation is based on the principle of inner difference that is understood as a generative principle which "makes the difference". In this sense, the concept of individuation represents a concept of otherness unlike the concept of identity. The first and the second part of the thesis present basic principles of thinking of Deleuze and Guattari. In the third part of the thesis the principle of identity is localized in the work of Deleuze and Guattari. This concept is understood as a consequence of illegitimate uses of the synthesis of unconsciousness. On this ground their critique of psychoanalytic reproduction of repressive Oedipal structures is presented. And the Oedipal structure in it's reproductive function is also presented as a construct of sexual identity. The fourth part of the thesis is devoted to confrontation of opinion motivations, views and strategies of Deleuze and Guattari...
|
|
|
Poetika imanence: performance divadlo Forced Entertainment
Suk, Jan ; Wallace, Clare (advisor) ; Roraback, Erik Sherman (referee) ; Voigts, Eckart (referee)
Jan Suk The Poetics of Immanence: Performance Theatre of Forced Entertainment Abstract The present dissertation thesis examines the multi-faceted nature of the devised as well as durational works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari. The aim of the thesis is to explore the transformation- potentiality of the territory between the actors and the spectators. The transformativity of this interspace, or the territory in-between, is decodable namely via Forced Entertainment's performances' structural patterns, sympathy fostering aesthetics, virtual audience integration and accentuated emphasis of the now. The application of Deleuze's philosophy, chiefly the phenomenon of immanence, results in the definition of the poetics of immanence, whose operation enables the transformativity of theatrical space to be terminologically embraced. After delineating crucial terms, such as performance and theatre, live art, or postdramatic theatre, the initial chapter contextualizes Forced Entertainment as the pivotal experimental theatre group; the chapter further conducts an analysis of relevant critical literature in performance and theatre theory discourse. Chapter two provides a deeper contextualising study of the most significant Deleuzoguattarian...
|
guest ::
